Lynch's Summary Review: Season 7 of TNG (1 of 2) Edit

WARNING:  This article contains spoiler information regarding "Star Trek: the
Next Generation"'s seventh and final season.  Those not familiar with the
season and who wish to avoid spoilers should stay clear.

Well, it's taken some time, but here at long last (at least for me!) is a
review of the end of TNG.  As with previous year-end reviews, this contains
first an episode-by-episode rundown, and then a commentary on the year as a
whole.  So, on we go...

I.  Season 7, Episode by Episode Edit

"Descent, Part II"
Written by:  Rene Echevarria
Directed by:  Alexander Singer
Initial rating:  6.5.
Best quote:  "Have you felt any other emotions?"  "There *are* no other

This cliffhanger resolution, like many, ran into problems, but here they
ended up being disturbingly apt harbingers of problems to come.  Although
"Descent II" had many things going for it -- Brent Spiner's acting, a pretty
good use of Bev's command, the actual use of old technological breakthroughs
(the metaphasic shielding), and many nice incidental moments -- the episode
tended to collapse under the weight of sloppy thinking on the part of most of
the characters, gigantic doses of technobabble, and the implication that
Picard and Geordi could probably make a functioning starship out of a hairpin
and two sticks of gum.  When I cheered "I, Borg" two years ago (and still
would), I had no idea it was going to lead to something like this.  As was
typical for season-opening shows, "Descent, Part II" was a disappointment.

Final rating:  5.

Written by:  Roger Eschbacher & Jaq Greenspon (story); Jeanne Carrigan Fauci
        & Lisa Rich (teleplay)
Directed by:  Cliff Bole
Initial rating:  5.
Best quote:  "Besides, you look GOOD in a dress."

This falls into the "yes, and?" category of TNG shows for this season.  Of
the three "interests" examined, only one (the food obsession) was truly
horrid; the rest of it had bits that worked and a lot of bits that didn't.  
For the most part, though, it seemed like everyone from actors to writers to
directors was still on vacation, and this felt like a 15-minute concept
stretched out well past the fraying point.

Final rating:  3.5.

Written by:  Joe Menosky
Directed by:  Robert Wiemer
Initial rating:  9.
Best quote:  "You disobeyed my direct order -- you put yourself in grave
danger.  I am NOT happy."

"Interface" isn't quite as good in retrospect as I thought, but it's far more
solid than I think it's given credit for much of the time.  Although the show
suffered from a slow pace almost as much as "Liaisons" did, and both the
sudden influx of relatives and the "gee-whiz" status of telepresence seemed a
little implausible, I thought both premise and plot were quite solid, most
everybody did strong work on the acting side (Burton and Frakes in
particular), and we got a rarity:  a mystery that was *not* solved and
explained away.  I have to admit, I like that.  

Final rating:  7.

"Gambit, Part I"
Written by:  Christopher Hatton and Naren Shankar (story), Naren Shankar
Directed by:  Peter Lauritson
Initial rating:  4.
Best quote:  "We cannot just SIT here!"  "On the contrary, Lieutenant;
        that is exactly what we must do."

I said back in the fall that "Gambit" as a whole could be considered a
B-movie for TNG, and I'll stand by it.  Part II got to have fun with everyone
chewing scenery and solving problems, and as such was fun -- but part I was
saddled with the unenviable task of making any of it remotely plausible, and
failed pretty badly.  The actions of the three highest command officers were

  • all* absurdly risky and sloppily done, and as such it took a solid

half-episode of laughter and taunts before I could really settle down and
watch the rest of it.  On the other hand, Stewart got to have lots of fun as
"Galen the Smuggler", and Data's command presence is not to be missed.  

Final rating:  4.

"Gambit, Part II"
Written by:  Naren Shankar (story), Ronald D. Moore (teleplay)
Directed by:  Alexander Singer
Initial rating:  9.
Best quote:  Oh, tons.  Here's a sampling:
        "I have difficulty remembering whose side I'm on."
        "...he's only stunned."  "I must admit -- I am experiencing a similar
        "Wait a minute:  you've been declared dead.  You can't give orders
                around here."

"Gambit, Part II" got to deal with all the fallout from part 1, but despite
that turned out pretty enjoyable.  It had its share of problems, certainly,
such as James Worthy's zombie-like performance, the serious silliness with
the servo, some slowdowns in the pace and the heavyhandedness of the Deep
Moral Significance).  However, despite all that, this show managed to just

  • crackle* with excitement.  Data's command was good as usual, the

double-double-double-double-crosses were more than entertaining, and there
was more sparkling dialogue here than in the four shows before it combined.  
"Gambit II" was a pretty shallow piece of work, but even Twinkies can be good
once in a while.

Final rating:  8.

Written by:  Brannon Braga
Directed by:  Patrick Stewart
Initial rating:  9.5.
Best quote:  Again, a smorgasbord.  Examples:
        "Mr. LaForge, why isn't my ship moving?"
        "It is a cellular peptide cake."  "Wff mnt frfting!"
        "Zere might be a paper in zis..."
        "But I have no sexual desire."  "Ah!  Impotence on top of everything!"
        and "You must talk to him; tell him that he is a _pretty_ cat, and
                a _good_ cat, and --" "I.  Will.  Feed.  Him."

"Phantasms" was by far the best show of the season up to that point.  Its
biggest problems were a slightly rushed ending and a slight case of
technobabble, but neither stuck out very much.  And "Phantasms" did have a
great deal to offer:  the running-gag "jeopardy" of the Admirals' banquet,
great comic elements in Worf's offer to take care of Spot and in Tyler's
crush on Geordi, reality bending all around, dialogue that snapped every time
you tripped over it, and (of course) serious use made of Data's capability of
dreaming, still in my opinion one of the greatest things to come out of
late-season TNG.  The imagery was intense, and put to excellent use.  Nice

Final rating:  9.5.

"Dark Page"
Written by:  Hilary J. Bader
Directed by:  Les Landau
Initial rating:  4.
Best quote:  "Mother?  Can you hear me?", but only when followed by "Can you
        see me?" right afterwards from the audience.  :-)

And here, TNG took a turn into serious "movie-of-the-week" territory.  I give
it credit for *attempting* to give Lwaxana Troi some depth, and for the
concept of Cairn telepathy.  However, the execution of the latter was truly
bad (sound effects imitating swarms of locusts went out with "Exorcist II:
The Heretic", didn't they?), and I'm one of those people that thinks Lwaxana
is an absolutely depth-defying character (pun intended).  Add to that poor
acting from both Majel Barrett and Norman Large (Maques), and you have a show
that, while among the better Lwaxana shows, doesn't get any further than that
dubious distinction.

Final rating:  4.

Written by:  Nicholas Sagan
Directed by:  Jonathan Frakes
Initial rating:  7.5.
Best quote:  "THAT is not funny."  "I wanted to see if you were still

"Attached" wasn't bad at all.  It suffered from a couple of plot goofs
(the pain-link portion of Picard and Crusher's attachment, for one), a
premise that I thought wasn't that necessary to start with, and some poor
production values, but on the whole everything ELSE turned out fairly well.  
The pacing and dialogue were both strong (the former of which is typical if
not universal for Frakes-directed shows), everyone's acting was very much on
form, and the subplot with the ultra-paranoid Kes leader was a scream.  And,
surprisingly enough, I warmed a lot more to the Picard/Bev "revelations" than
I expected to.  Given my skepticism in advance about it, the fact that the
show got me as close to pleased with it as I was is very much to the show's

Final rating:  7.

"Force of Nature"
Written by:  Naren Shankar
Directed by:  Robert Lederman
Initial rating:  3.5.
Best quote:  "Spot.  This is down.  Down is GOOD."

The only quotes that even came close had to be from the Spot section, because
those were the only parts of the show even possibly worth remembering.  While
I'll admit the premise of warp drive causing environmental damage is
intriguing, this wasn't the way to do it:  the pace was glacial, the
preaching was almost as blatant as in "Symbiosis" and other flagrant
"message" shows, the acting was sleepy, and when you dug through all the
massive piles of technobabble the show created, you discovered that the
scientists didn't actually prove *anything* about their cumulative claim.  
This show wasn't offensively bad (those were later in the season), but it was
definitely a "for completists only" affair.

Final rating:  3.

Written by:  Dan Koeppel (story); Dan Koeppel and Rene Echevarria (teleplay)
Directed by:  Robert Scheerer
Initial rating:  8.
Best quote:  "Some of the colonists objected to having an anatomically
        correct android running around without any clothes on."

Now *this* was more like it.  Just as in the case of "Attached", I came into
this show skeptical:  a mother for Data?  Come on.  However, even more so
than "Attached", "Inheritance" took a potentially terrible concept and mined
it for gold.  Despite some setbacks such as bogus geology and (especially)
the total absence of Data catching Juliana up on Lore's history, almost
everything else worked:  Fionnula Flanagan was every bit as convincing after
you knew she was an android as before you did, Data's deductive skills were
both on target and uniquely suited for him, both acting and writing were very
strong efforts almost entirely throughout the show, and the Data/Soong scene
was up to the level of all the other Data/Soong scenes we've seen (which says
a great deal; those scenes are amazingly good).  Nice job.

Final rating:  9.

Written by:  Brannon Braga
Directed by:  Robert Wiemer
Initial rating:  10.
Best quote:  Again, we've got tons.  Let's see...
        "I think Data's painting is making me dizzy."
        "That would make my mother your stepmother."  [eyes bulge]  "I had
                not considered that ... it is a risk I am willing to take."
        "I do remember; I just remember it differently."
        ... and, of course, the infamous "Captain, we're receiving two
                hundred and eighty-five thousand hails.", sure to go down
                in history as a classic.  :-)

"Parallels" was a marvelous piece of work.  When the only objections I
noticed on a repeat viewing were the onset of the Worf/Troi relationship
(which is more a problem with later shows, not this one) and minor glitches
about time references back to past events, this was one solid outing.  The
premise of "Schrodinger's Klingon" was great, and the execution of Worf's
gradual shifting and gradual confusion was marvelous right down the line,
from broad strokes like the role-reversal of Bajorans and Cardassians to
little details like Data's eyes changing color.  And as if we didn't have
enough to make us jump in this show, we had the appearance of an Enterprise
from a Borg-ravaged universe, which chilled the blood to no end.  "Parallels"
was and is one of the best of the season.

Final rating:  Still 10.

"The Pegasus"
Written by:  Ronald D. Moore
Directed by:  LeVar Burton
Initial rating:  10.
Best quote:  Again, vast quantities, including:
        "I don't know; I think the resemblance is rather striking.  Wouldn't
                you agree, Number One?"  "Isn't there something else you have
                to do?"
        "I was two months out of the Academy, my head still ringing with
                words like 'duty' and 'honor'."
        "... and if I find that that trust has been misplaced, I will have to
                re-evaluate the command structure of this ship."
        "So on reflection, you'd rather be a traitor than a hero."  "I was
                no hero, and neither were you!"
        and "I have a lot of friends at Starfleet Command, Captain."  "You're
                going to need them."

Although "Parallels" was a great deal of fun, I think "The Pegasus" is in
many ways a much richer show.  Although the issues raised here have provoked
tons of debate about the wisdom of the Treaty of Algeron and Picard's alleged
hypocrisy in breaking treaties himself while standing on principle with
Admiral Pressman, the very fact that it *does* raise points for debate is
evidence of its strength.  Beyond the broader points, though, this was a
great trial-by-fire episode for Riker, had a marvelous sense of atmosphere
about it (particularly surrounding Pressman), and a nice mix of serious drama
and good clean fun (the latter being the entire "Captain Picard Day" premise,
which was a scream).  LeVar Burton managed to coax superb performances from
everyone as well.  "Parallels" is in the running for best of the season, as I
said, but I think "The Pegasus" may actually have that honor.

Final rating:  10.

Written by:  Spike Steingasser (television story), Naren Shankar (teleplay),
        other material by William N. Stape
Directed by:  Alexander Singer
Initial rating:  6.
Best quote:  "It is the sign of LaForge."

"Homeward" is not an episode that ages well at all.  Although the general
concepts behind Nikolai's plan were sensible enough, the sheer implausibility
of his original actions, the sheer lack of considering alternatives, and the
heavy-handed preachiness of Picard made this a textbook case of how *not* to
handle a Prime Directive show; it left even the majority of the Directive's
defenders squeamish about it.  The show had some good scenes (such as that
between Picard and Vorin, and many of Dorn's main pieces), but that's about
all it had going for it.  Not impressive.

Final rating:  3.5.

"Sub Rosa"
Written by:  Jeri Taylor (television story), Brannon Braga (teleplay),
        other material by Jeanna F. Gallo
Directed by:  Jonathan Frakes
Initial rating:  2.5.
Best quote:  "It just sort of rolled in on us, sir."  -- Riker, about the fog

"Sub Rosa" made a really bad impression on me at first.  In retrospect,
though ... it's even worse.  About all I can say in favor of this episode is
that there were very small bits of dialogue between Picard and Beverly that
were worth remembering.  Beyond that, though, this was a show that was
virtually rotten to the core.  Even discounting the questionable similarities
between this and Anne Rice's _The Witching Hour_, this show was so remarkably
sexist in its presentation of Bev's situation and the alleged "eroticism"
involved as to be quite offensive, at least to me.  Add to that heavy doses
of technobabble, the almost all-pervasive tendency of the show to turn a
ghost story into "plausible" science, a screaming-fit ending that also flies
in the face of the crew's "respect other lifeforms" philosophy, and the
likelihood that Frakes mailed in his directions this week, and you get what
was probably the worst show of the season.  

Final rating:  1.5.

"Lower Decks"
Written by:  Ronald Wilkerson & Jean Louise Matthias (story), Rene Echevarria
Directed by:  Gabrielle Beaumont
Initial rating:  9.5.
Best quote:  "Come on, Geordi; you don't have to quit just because I'm

Now *that's* more like it.  "Lower Decks" offered a major change of
perspective for the show (one I wouldn't mind seeing more often), and a nice
slice-of-life drama shown through the four ensigns.  Although bits of the
Bev/Ogawa scenes seemed a tad overdone, and there were some strange glitches
in time referents (very pervasive this season, I might add), that was all way
overshadowed by some excellent work with Sito (both with Worf and with
Picard), a strong plot, intelligent acting and directing by virtually
everyone, and a double-barrelled poker sequence that's worth watching many
times over.  Nice work.

Final rating:  9.

"Thine Own Self"
Written by:  Christopher Hatton (story), Ronald D. Moore (teleplay)
Directed by:  Winrich Kolbe
Initial rating:  9.
Best quote:  Again, several, including...
        "Did you come here for something in particular, or just general
        "Father said she went to a beautiful place, where everything is
                peaceful, and everyone loves each other, and no one ever gets
                sick.  Do you think there's really a place like that?"  
                "Yes ... I do."
        and "Rock, fire, sky, and water are the four basic elements of the

Speaking of alternate perspectives ... while "Data-as-Frankenstein" is the
sort of concept that could make for a truly awful show, this show rather
cleverly used Data as both the poor doctor and his monstrous creation, and
did it so superbly that the Data bits of "Thine Own Self" are among my
favorite Data scenes ever.  (Admittedly, as a science teacher I'm biased; the
Aristotelian science classes and debunking of "argument from analogy" made
this poor heart sing.  :-) )  The only thing marring the show (other than the
final confrontation 'tween Data and the villagers, which just screamed
"Hollywood setup") was a fairly iffy subplot surrounding Troi's command test,
which felt very shoehorned in.  Beyond that, though, this is a keeper.

Final rating:  8.

Written by:  Joe Menosky
Directed by:  Robert Wiemer
Initial rating:  6.5.
Best quote:  "Well, aren't we the persistent one."  "Ihat."  "Is anyone else
        so charming?"

"Masks", on the other hand, was just weird with a capital Q.  (The Q is
silent, you see; that's what's so odd about it...)  The show seemed at least
partly designed to give Brent a chance to show off how multi-faceted he is,
and on that level it worked; Brent *is* very talented, no doubt about it.  
However, it did so at the cost of a seriously unrealistic premise, loose ends
and questions abounding everywhere (what about animals?  what about the rest
of the crew other than the Big Seven?), and the general feeling that the
writer knew lots of things we didn't and simply didn't feel like letting us
in on the plan.  That's fine for part of a story, but not a whole one; and as
such, "Masks" was kind of a mismash.  

(And I still maintain that one of the most unintentionally (?) funny
sequences in this episode comes about a quarter of the way in, when Picard is
holding a recently-created pillar out in a particularly ... intriguing
fashion.  Watch for Frakes's major smirk-fest once he notices.)

Final rating:  6.

"Eye of the Beholder"
Written by:  Brannon Braga (story), Rene Echevarria (teleplay)
Directed by:  Cliff Bole
Initial rating:  4.5.
Best quote:  "Is there someone in particular you would rather I not be
        involved with?"  "Mr. Worf, you sound like a man who's asking his
        friend if he can start dating his sister."

An episode with a quote *that* good can't be all bad.  Unfortunately, that's
easily the best thing "Eye of the Beholder" had going for it.  Although the
premise of Troi having a major hallucination was plausible enough, and good
care was taken to keep the point of view centered on her thereafter, it
wasn't enough to really make me warm to a show that was, essentially, an
excuse to get Troi and Worf together in a way that "didn't count".  Add to
that a lot of serious talking-heads scenes, the fact that the Worf/Troi
pairing seemed forced *anyway*, and some lackluster work from Sirtis in the
final ten minutes or so of the show, and you get something that, while not
awful, isn't particularly good either.

Final rating:  4.

Written by:  Brannon Braga
Directed by:  Gates McFadden
Initial rating:  2.
Best quote:  "My capillaries are shrinking."

Ouch.  When Brannon Braga is good ("Phantasms", "Parallels", etc.), he's
really good; but when he's bad ("Sub Rosa" and this, for instance), he can be
appallingly so.  While "Genesis" may not have been offensive on a moral level
as "Sub Rosa" was, it killed more brain cells in the watching.  The plot was
moronic on both a scientific level *and* a dramatic one (sensors mysteriously
work only when the plot calls for them, as do computers, as do doors, etc.),
the technobabble was jacked up to a level that could carry off small mammals,
and the use of growling animals to create a creepy feeling long ago ceased to
carry much weight with me.  Add to that the fact that acting (with a few
exceptions) was pretty sub-par, and the implication that a careless action
by Bev could kill thousands *without her noticing or even caring*, and you
get a serious competitor for worst of the season, and an almost definite
resident of TNG's bottom ten shows, period.

Final rating:  2.

"Journey's End"
Written by:  Ronald D. Moore; based on material by Shawn Piller & Anatonia
Directed by:  Corey Allen
Initial rating:  7.
Best quote:  "I think that's the first time anyone has ever used that
        particular word [sacred] to describe me."

After "Genesis", anything would be a step up, and as such "Journey's End" may
have gotten a slightly higher rating in the spring than was really justified.
While this was a generally good farewell to Wes, and acting was pretty solid
all around from both regulars and guest stars, the implications of Wes
becoming a proto-Traveller seemed to go unnoticed, and any references back to
"The First Duty", which would provide the best of all possible *reasons* for
Wes to be so unhappy, went unmade.  Further, the "look, we're being
multicultural, dammit!" nature of many of the Native American scenes seemed
extremely out of place and unnecesary.  "Journey's End" is still watchable,
but mostly for the Demilitarized Zone issues it sets up later in both TNG and
DS9 than for Wes.

Final rating:  5.5.

Written by:  Mark Kalbfeld (story), Rene Echevarria (teleplay)
Directed by:  Jonathan West
Initial rating:  7.
Best quote:  "I'd just be knocking on his door again in a few days ... and I
        wouldn't be in as good a mood."

The biggest criticism that lurks behind "Firstborn" is that it marks a
turning in Worf's and Alexander's relationship that should have come months
or years before it did.  Other than that, the criticisms are smaller, if
prevalent:  the Duras sisters, once considered a large enough threat to build
a major plotline around, are now used almost as villain comic relief (and
what's more, they're apparently *let go*), Worf is too credulous (as is too
often the case), and Brian Bonsall still hasn't gotten Alexander quite right.
However, the show *did* have an intriguing premise behind it, some good
development on Worf's part, some good strategy behind the locating of the
Duras sisters, and a stellar performance by James Sloyan.

Final rating:  7.

Written by:  Nicholas Sagan
Directed by:  Les Landau
Initial rating:  6.
Best quote:  "... but one thing's clear; you'll never look at your hairline
        again in the same way."

As with "Eye of the Beholder", any show with a quote *that* inspired has to
have something going for it.  Unfortunately, it and the Picard/Bok sequences
comprise the vast majority of the episode's appeal.  Unlike many, I found Bok
surprisingly menacing and a worthwhile villain -- but there was no reason for
his return, particularly when his situation is now left just as unresolved as
it was six years ago.  As for Picard and Jason, the less said is generally
the better; Jason came out of a balsa wood cookie-cutter, and it showed in
the lack of depth all his scenes (with Picard or not) had.  Stewart did the
best he could with weak material, but it really wasn't enough to give more
than flashes of brilliance.

Final rating:  4.

Written by:  Brannon Braga (story), Joe Menosky (teleplay)
Directed by:  Cliff Bole
Initial rating:  7.
Best quote:  "O brave new world that has such people in it."  "It seemed

"Emergence" was also pretty strange, though it avoided the "okay, this just
got too strange" syndrome that "Masks" ended up with.  Although the ease of
the ending and the unspoken implications of the Enterprise being able to
create life were serious drawbacks (not the implications themselves, but the
fact that no one noticed them), and the technobabble level was annoying
(though not overpowering), "Emergence" worked for me somehow.  Most of the
weirdness seemed to have a point (thus rendering it "symbolism" :-) ),
everyone did a good job with the material, and when it comes right down to
it, the show got me involved.  That's not enough to make a stellar show, but
it's enough to make a good one.

Final rating:  7.

"Preemptive Strike"
Written by:  Naren Shankar (story), Rene Echevarria (teleplay)
Directed by:  Patrick Stewart
Initial rating:  8.5.
Best quote:  Several, again.  Here goes:
        "Are you Maquis?"  "What if we were?"  "If you were, I would ask if I
                could join you, and help you fight."
        "When I listened to that music he played for me, I was never afraid
                to go to sleep.  And when he died ... I realized even he
                couldn't make all the monsters go away."
        and "It's been a long time since I really felt like I belonged

As TNG geared up for an ending, it laid a further foundation for DS9 and for
"Voyager", and came up with one of the bleakest, nastiest shows of the
season.  Although there were bits and pieces of "Preemptive Strike" that
didn't quite ring true (the ease of Ro's infiltration, for one, and Picard's
presence in the bar confrontation), and Ro's long absence made the show less
powerful than it otherwise might have been, the show was still *extremely*
powerful on many levels.  While there's been much debate about whether Ro
made the "right" choice, I think it's fair to say that this was the
dramatically right choice for future stories, and it's an ambiguous enough
issue to let healthy debate exist -- which is always a big selling point with
me.  The show was paced well, gave its characters hard choices and *made them
pick one*, and everyone upon everyone worked wonders in the acting
department.  A nice piece of work.

Final rating:  9.

"All Good Things..."
Written by:  Ronald D. Moore & Brannon Braga
Directed by:  Winrich Kolbe
Initial rating:  10.
Best quote:  What, just one?  You must be mad.  :-)  Here's a lengthy list
        of candidates:

"Captain, we've got a problem with the warp core, or the phase inducers, or
        some other damned thing."
"Actually, I really like running around the ship in my bare feet."
"What is a Q?"  "It's a letter of the alphabet, as far as I know."
"SORRY!  That's not a yes or a no question; you forfeit the rest of your
"...But what have we seen instead?  You worrying about Commander Riker's
        career, listening to Counselor Troi's pedantic psychobabble,
        indulging Data in his witless exploration of humanity?"
"You have always used your knowledge of Klingon honor to manipulate me."
        "Because it always WORKS, Worf!"
"Where is the anomaly?"  "Eh?  Where's your mommy?  Well, I don't know..."
"Mister Data, you are a clever man -- in any time period."
"Goodbye, Jean-Luc; I'm going to miss you.  You had such potential.  But then
        again, all good things must come to an end."
"For that one fraction of a second, you were open to options you had never
        considered.  THAT is the exploration that awaits you: not mapping
        stars and studying nebulae, but charting the unknown possibilities of
        existence."  [Really, the whole speech should be here, but I'm not
        that crazy.  :-) ]
"Four hands in a row; how does he do it?"  "I cheat."
And, of course,
"So, five-card stud, nothing wild; and the sky's the limit..."

After a weak season, we all at least got a sendoff fit for the show's better
days.  Although there's been much debate about "errors" in the main plot of
the Anomaly, I think most of them aren't really errors, but primarily
ambiguities that might have been better left cleared up.  (One exception is
that Picard should have insisted on a scan of himself in the future to prove
that what he was saying was legit.)  Fundamentally, though, Q's speech is
right:  TNG *has* been about characters and humanity, not about temporal
physics and "studying nebulae"; and from a character standpoint, everything
about "All Good Things..." worked very well indeed with me.  Winrich Kolbe
outdid all his other past work with this piece, action fanatics got one of
Trek's best battle scenes, cat fans got Data's house in Cambridge :-), acting
fans got to witness both Stewart and Spiner give performances that should by
rights be Emmy material -- and when it comes right down to it, this show

  • moved me*.  Quibblers be damned; that's what I care about.

Final rating:  10.

As with last year, if we were to strictly average that out we'd get roughly a
6; whether a little more or a little less depends on whether you count "All
Good Things..." as two votes for being two hours.  (I'd tend to.)  As with
past seasons, though, I don't think you can boil a season down to a single
number.  All this would indicate to me is that this season was *definitely* a
comedown from the last two years, and I didn't need a calculator to tell me
_that_.  So, onwards to the second (and far shorter) part of the review,

[To be continued]
Copyright 1994, Timothy W. Lynch.  All rights reserved, but feel free to ask...
This article is explicitly prohibited from being used in any off-net
compilation without due attribution and *express written consent of the
author*.  Walnut Creek and other CD-ROM distributors, take note.

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